2020 Themed Samba
Authors: Cláudio Russo, André Diniz, Moacyr Luz, Gê Martins, Licinho Júnior e Elias Bililico
Singer: Evandro Malandro
NÃO IMPORTA QUEM ERROU
O PECADO E O PECADOR
SEMPRE ESTÃO DO MESMO LADO
SEM LIÇÃO NEM PROFESSOR
SE O ESPINHO FERE A FLOR
O AMOR É MACULADO
NO JEITINHO QUE IMPERA NESSAS BANDAS
É MAIS FÁCIL O MAU CAMINHO PRA JOGAR NO TABULEIRO
NA VERDADE DO ESPELHO, QUANDO A RAZÃO DESANDA
VAI SEGUINDO EM DESALINHO MESMO COM SINAL VERMELHO
ATIRE A PRIMEIRA PEDRA AQUELE QUE NÃO ERRA
QUEM NUNCA SE ARREPENDEU DO QUE FEZ
NA VIDA TODO MUNDO ESCORREGA
MELHOR SE MACHUCAR SÓ UMA VEZ
CARDUME DE GARRAFAS PELO MAR
NEM TARRAFA NEM PUÇÁ ALIMENTAM O PESCADOR
E A CISMA DE ATENDER O CELULAR
PRA CURTIR, COMPARTILHAR
ZOMBAR DO PERIGO LARGAR O AMIGO
PERDER O PUDOR
QUEM AÍ TÁ PODENDO JULGAR ?
NÃO CONSEGUE OUVIR OUTRA VOZ
CADA UM FOI PENSANDO EM SI
OLHA O QUE FIZEMOS DE NÓS
ENTÃO PEGUE SEU FILHO NAS MÃOS
EDUCAR É UM DESAFIO
SE ERREI PEÇO PERDÃO
RENASCE A GRANDE RIO
QUEM NUNCA SORRIU DA DESGRAÇA ALHEIA ?
QUEM NUNCA CHOROU DE BARRIGA CHEIA?
EU SOU CAXIAS DE TANTOS CARNAVAIS
FALAM DE MIM, EU FALO DE PAZ
Be sincere here with us, "good ones", "a cool one", frankly: who never left the rails, lost the plumb, gave detail, "rodou a baiana", "chutou o pau da barraca", set up a clatter or even turned the table? A slip, some "gafezinha" or a lack of education of the rude kind? Who never? I, you, everyone, at least once, have forgotten labels, manuals and regulations and crossed the samba on the catwalk of this life.
Throw the first stone who has never. Or rather not, because it is impolite again.
As human as the biblical act of throwing the first stone are our bad habits that express impatience, selfishness, carelessness, intolerance, "jeitinho" ... or even lack of information.
Cut the queue, pretend to be asleep not to give the bus seat for the elderly or pregnant, put chewing gum under the table, throw the cigarette butt on the sidewalk or adhere to that package of the "gatonet" become small things near a series of questionable attitudes. And then everyone (from the top of his glass roof) throws that old maxim: "Do as I say, do not do what I do."
Our plot is about education, but we decided to talk about it through the irreverent and critical bias of LACK of education, of things that we do that compromise our daily life, our coexistence and our future.
Who has never thrown the soda can through the window of the car, has never run the red light, has never driven with that dose of beer at the idea or above the allowed speed?
From the lazy man who enters the road without turning the blinker on, the hurriedly one who thinks that the horn is a pillow, until the madame or car executive who gives "conference" by the cell phone (and not "no ná" that the signal opened), is uneducated to life in traffic, comrade! There's defensive driving!
On social media routes, half able to unite people from the four corners of the world, who never left the foot of the brake and distilled (or suffered) an indirect, a "piti"? Who has never witnessed, at least, swearing and all kinds of discrimination (racism, homophobia, harassment, bullying) through the posts of those who want to impose their own opinion and use the shifting world of virtual profiles? And in the race for likes, there are those who reproduce anything that attracts attention, not even bothering to read and check the information.
In the carnival country, of more than two hundred millions of carnival people, who never criticized a plot in the networks of "friends" without even reading its synopsis or waiting for its development on Avenida?
Still on the use of new technologies, who never spoke loudly on the cell phone inside the bus, the train or the crowded van? Here among us, huh, no one deserves to know that the passenger next door went out with the neighbor's wife last night or have to follow the clueless video without a headset, right? And there is storage capacity of the cell phone to support so many sweetnesses and daily chains to wish us good morning, good night, good week, good Friday, happy Saturday ... Phew! These new "toys" should come with a little manual of ethics, be serious!
And who never got rid of that harmless garbage bag in the river near the house? That plastic bag that you discard and it still takes years and years to decompose.
In the 1950s, the city of Duque de Caxias had an effective participation in the Carnival of Rio de Janeiro, with the samba school Cartolinhas de Caxias. This group participated in the elite group of the Carioca schools three times (1951, 1958 and 1959), later participating, frequently, of the intermediate groups and being respected by the world of samba. The last parade of the Cartolinhas was in 1971, when with the intention of founding a great association that represented the municipality worthily, the leaders of the União do Centenário schools, Cartolinhas de Caxias, Capricho do Centenário and Unidos de Vila São Luís unite and its merger is founded at GRES Grande Rio on May 10, 1971.
In 1988, a group of samba musicians from Duque de Caxias met to create a new association for the municipality. To join AESCRJ, at the time, it was necessary that the association was already a carnival block. Therefore, the new school used the legal structure of the plot block Unidos do Lambe Copo, located in Prainha, Caxias, and that there was which was played by the Federation of the Blocs for the last time in 1979, being Group 8 champion. Milton Abreu do Nascimento, known as Milton Peracio, was elected the first president, and decided to invite Antonio Jayder Soares da Silva to be the president of honor and the then deputy Messias Soares to be the patron. The Acadêmicos de Duque de Caxias was officially founded on March 22, 1988, but as a way to prevent the new school from having to start in the fifth division, finally, on September 22 of the same year, after many meetings between the members of the two boards , the Acadêmicos de Caxias and the Grande Rio merged, giving rise to the current G.R.E.S Acadêmicos do Grande Rio, whose symbol is composed of a crown surmounting a shield divided in the middle, where they are on a red background a drum with its crossed sticks and the On the other side, on a green background at Reduc (Refinaria Duque de Caxias), and just below it there is a white ribbon that reads the name of the association.